…is tackled by players across those communities. COMMUNITY CLOTH Community Cloth at the Newcomer School, Greensboro, NC (2010) 180” w X 60”h This project engaged 75 middle school youth who……
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…the sacred, and so on. Reflective questions on the theme could be: Where do you find ritual in your creative practice? And how does that come through in the work……
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…complex webs informed by Indigenous knowledges and understandings of place, community, and material resonance…predicated on long-held understandings that art is inseparable from our lives and experiences.” (p.19) Without a map……
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…by the artist. In taking time to closely observe and absorb global social histories, environmental motifs and occurences, I imbue my art practice with intonations of friendship, compassion and generosity….…
Read More »SDA NewsBlog is pleased to announce the following new board members: Susan Taber Avila For many years I’ve volunteered behind the scenes, particularly with conferences. I’m committed to SDA because……
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…Design. The Interrupted Beauties installation shot at Savannah College of Art and Design. The Interrupted Beauties installation shot at Savannah College of Art and Design. Website: http://www.farnazjahani.com/#/3d-patterns/ Thesis Exhibition: http://savannahmastercalendar.com/event/interrupted-beauties-closing-show/……
Read More »…years and plans to continue to do so, fueled by her love of the process. To see more of Therese’s work, go to www.theresemay.com Check out her blog at theresemay.blogspot.com……
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…artist/quilter/weaver has since gone in several new directions. Also featured at Jack Fischer Gallery, you can see her newest work in images digitally printed on silk organza. Her description of……
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An American Style: Global Sources for New York Textile and Fashion Design, 1915–1928, on show at Bard Graduate Center in New York City (September 27, 2013 – February 2, 2014),……
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