Barbara Shapiro
What Knot: Top Knot, 2018
Indigo dyed Sedori (scraped) cane, Japanese Flower Knot plaiting 7 x 7 x 4.5"
Christine Chester
Fading ii, 2019
Polyester organza, silk organza, paper 99cm x 130cm
Our memories fade with time, dementia, and loss.
George-Ann Bowers
Lichen Party Frock, 2014
Cotton, linen, silk, wool, leather, sewing thread 34" x 31" x 2"
Joan Diamond
Possibilities, 2017
Commercial fabrics, silk organza, netting, silk and cotton thread 48"W x 60"H
This piece was inspired by a trip to Morocco, and my interpretation with their concept of "bare requirements" necessary to build community. The necessary five are community: fountain, oven, bath, madressa (school), and mosque. Using Bojagi renders finished seams on both back and front. These seams, with the shadows that they cast, blend into a kind of network. When the piece sways in a breeze the quivering roadmap pattern felt appropriate to convey a sense of shifting possibilities when visiting a city for the first time.
Gwen Samuels
Ruffled Feathers, 2014
Digital images printed on transparency, hand-stitched to wire form 12" x 6" x 15"
Ann Coddington
dozen grouping, 2020
mixed media fibers 72x48x10
This group of works is an ongoing series of playful explorations of form and texture. Some refer to objects in the known world, while others are purely abstract. The grouping is meant to provoke visual connections between forms, textures and processes.
Teddy Milder
border relics, 2017
rusted wire, artist-made abaca pulp and paper ; encaustic 24" x 24" x 15"
Alisa Banks
When is Now, 2019
Synthetic hair, cotton and linen thread, balsa wood, linen, cotton, paper, wax 7.5” diameter, 4”H (closed)
Monika Auch
Embryologic objects, 2018
fishing yarn, surgical tubes 20 x 5 x 4 cm
