Kim Barge
Intertwined, 2023
Paper [24" x 60" x 6"]
Humans and nature intertwined, working together to create a beautiful place to live.
Helen Geglio
Apron Strings: Milestones and Between, 2022
Cotton, linen, found quilt, buttons [55" x 43" x .5"]
Apron Strings is a body of artwork that explores the complex relationships we have with our children. This is a stitched meditation on motherhood—marking the countless moments of passage until we set our sons and daughters loose into the world.
Jill Goldstein
Empire of Pain, 2024
cotton and silk thread on linen [16" x 15" x .01"]
I experimented with needle lace as a way to convey suffering, caring, and hope. Lace is both concealing and revealing. Historically, lace has been cherished and coveted. To me, this felt like a sad and fitting metaphor for the opioid crisis and its web of destruction.
Jill Goldstein
Say Nothing, 2024
cotton and silk thread and antique wire lace on linen [15" x 20" x .01"]
An exploration of borders and their complexities through various stitch styles combining bold and muted colors and highly layered and empty spaces.
Michele Hardy
Circles #50, 2022
fiber [29" x 22" x 0"]
Using a variety of surface design techniques (dye, paint, screenprinting), I transform fabric with fiber-reactive dyes and transparent, opaque, and metallic paints in complex multiple layers, allowing colors to blend or reveal what's between or below the shapes.
Paule Hewlett
Borderline Humanity, 2023
Linen and cotton fabric, acrylic ink, cotton thread [48" x 36" x .25"]
A work featuring the fiber arts and crafts of women everywhere to represent the irony in the way we treat humans, especially women and children, specifically at the US border. The key image of a beautiful peace-seeking Latina is over-stamped with pejorative brands used by anti-immigration activists.
Dianne Hricko
Dawn to Dusk, 2018
Silk, cotton, linen, wire mesh, plastic mesh, mx dyes [58" x 58" x 0"]
Using the literal space between the fist and second layer of silks I explore the hazy sense of memory of life in the city. Collage, diptych and deconstructed silks screen on silk organza, itajame, arashi discharge shibori on silk. LInen lining, plastic and wire screen. Hand and Machine stitched.
Laurel Izard
My Soul to Keep, 2024
Textile [43" x 30" x 0"]
Hand-embroidered and quilted cotton fabric and vintage embroidery
Helen Keogh
The 'bubble' became a world of one., 2024
embroidery. cotton thread on calico [4.3" x 10.6" x .39"]
Derived from daily walks during Covid lockdowns, this embroidery portrays various experiences of isolation in place and in company. The individual mindscape of each prohibits attachment and inhibits the sympathy that enables humans to understand each other. The 'bubble' became a bubble of one.
Laili Lau
Zalea Jacket, 2021
fabric scraps all made by hand [55" x 45" x 7"]
This ¨Zalea¨ garment piece results from conscious and soulful creation towards an unexpected result. On the tail of 2021, I started to hand sewing bits and pieces of fabric that I have been collecting for over four and a half years, after that I developed a big and loose jacket’s silhouette. The
Ruta Lauciene
Outcrop, 2024
Upcycled denim and cashmere [28" x 22" x 1.5"]
As part of the Lithos series, Outcrop is inspired by the intricate rock formations of Northern California. The piece explores the ever-changing textures and colors of the sandy surfaces as they are transformed by continuously shifting light.
Susan Lenz
Cemetery Flags, 2022
fibers [108" x 56" x 0"]
Assorted US flags retrieved from cemetery trash bins free-motion embroidered onto a discarded casket flag
Ayelet Lindenstrauss Larsen
Ordered Chaos (Midday), 2025
linen, cotton, and silk threads on linen canvas [13" x 13" x 1.25"]
Doug and Mike Starn's Big Bambù installation feels very solid: bamboo poles are carefully lashed together by bright bungee cords to be stable. But the construction is very open, and between nearby poles one can see further ones---five thousand in all! Making the visual effect beautifully chaotic.
Ayelet Lindenstrauss Larsen
Ordered Chaos (Dusk), 2024
linen, cotton, ramie, and silk threads on linen canvas [13" x 13" x 1.25"]
Doug and Mike Starn's Big Bambù installation feels very solid: bamboo poles are carefully lashed together by bright bungee cords to be stable. But the construction is very open, and between nearby poles one can see further ones---five thousand in all! Making the visual effect beautifully chaotic.
Viviana Lombrazo
Precarious Vessels (full), 2024
hand-printed, dyed and painted fabric, thread, interfacing [17.5" x 24" x 12"]
Climate change is causing increasingly dramatic impacts on the environment and on the humans who depend upon it. These pieces explore the tension that comes from compromising the very vessel that contains us; the imbalances we’ve created in the elements needed for a sustainable existence.
Elaine McBride
Incredulous, 2024
Single Strand Embroidery Floss on Cotton Muslin [4.5" x 2.75" x 1"]
Incredulous is an interpretation of an unusual pose for an old photo subject unknown c. 1910. Meandering lines representing doilies - another sign of the era - embrace and surround her. The bird is unaware of the subject's incredulity.
Elaine McBride
Red Box, 2024
Single Strand Embroidery Floss on Cotton Muslin [4" x 2.5" x 1"]
Without certainty I reimagined myself (from a photo of myself at 3) en route to my grandmother's house. Her needlework skills included crochet of intricate doilies. The meandering lines and patterns created by hook and thread remind me of her.
Alysn Midgelow-Marsden
Guidance and Consolation, 2023
Stainless Steel fabric, thread, wool fibre, paint [34.35" x 20.47" x .39"]
Capturing the interplay between fragility and resilience, inviting you to contemplate your relationship with the external world. This work is both meditative and dynamic, embodying the transient beauty of the “space between” and inspiring reflection on our fleeting place in the universe.
Marta Nowak
Shifting Paradigms, 2024
merino wool [19" x 55.5" x .125"]
Sweater knitted with merino wool by hand on a flatbed knitting machine
Alice Pickett
Path Through the Woods, 2023
fabric, paint, stitching [20" x 16" x .5"]
mixed media, including photography, paint, applique and stitching
Michelle-Heather Pollock
To Know This Place, 2023
Watch video
An artist book of 40 pages, following my favorite walk in my Brown County woods, which I can no longer walk due to chronic illness, documenting my favorite things I've found there. Accordion binding - can stand so many or all pages are visible. Dimensions variable. Housed in handmade clamshell box.
Libby Raab
Redwood Shadows, 2024
Cold Press Fine Art Paper, Paper Raffia [49" x 16" x .125"]
Eclipse photo meets autumn afternoon in this handwoven paper piece. One image captures nature's celestial spectacle, the other taken on a quiet fall day. While the photos are of shadows at different scales, they merge into a meditation on time, light, and the changing seasons.
Julie Reuben
Choosing Calm, 2023
Quilt [38.5" x 39.75" x .2"]
This piece is made from a single piece of cloth. The intensive hand stitching creates the color variation. While quilting it in my lap, I stitched vertical lines and assumed it would hang vertically. But when it was complete, I turned it sideways and it created an immediate sense of calm.
Julie Reuben
Ovum, 2024
Quilt [45" x 54" x .2"]
II love how evocative oval shapes are. They suggest eggs, eyes, flower petals and much more. In this quilt, I superimposed four large hollow ovals on the top of the quilt by changing the color of thread from shades of orange in the background to shades of purple in the body of the ovals.
Joanna Rogers
Oh No No No, 2022
Hand dyed mercerized cotton and wool, hand woven [180" x 16" x .25"]
Warp and weft dyed with madder, cutch, cochineal and sappanwood. The phrase Oh No No No, from the poem Not Waving But Drowning by Stevie Smith, is woven both horizontally and vertically in morse code using a summer and winter pattern. These could be the last words endangered species cry.
Barbara Schulman
The Black Plague, 2020
Mixed media Textile [66.5" x 63.5" x .75"]
I started this piece the day after George Floyd was murdered, May 25, 2020. It include the names of black persons murdered by law enforcement. Bleached black jeans, zippers, metal jeans parts, dyed rayon, paint, machine stitched."
Jeanne Sisson
Reaching Through Silence, 2018
Mixed Media Textile [40" x 35" x 2"]
Multiple thickened dye monotype prints on silk noil. Fabric hange 2 inches out from the wall allowing air currents to gently move the piece.
Rebecca Smith
Whispers from the Past Trilogy, 2024
Handwoven transparency technique [48" x 36" x 6"]
Just as these transparent weavings leave shadows on the wall, their imagery portrays the faint whisper of ancient traditions. Vertical warp ikat suggests a heartbeat; faint weft ikat suggests memories half remembered. Each piece features a cultural emblem whose meaning has faded, as has the culture.
Tina Marais
Sleep in the bed that you made III, 2022
Cotton, tulle, textile paint [102" x 130" x 1"]
Artist Statement – Sleep in the Bed That You Made This work reflects the fragile, borderless interconnectedness of natural systems under climate strain. Frayed, cascading forms echo ecological collapse, urging reflection on humanity’s impact and the urgent need to mend our shared environment.
Michelle Williams
Spiritual Princess, 2019
Glass beads, cotton, quartz crystal,dacron,suede [6" x 7" x 5"]
She is almost clown like and whimsical with her collar and big red lips.The purple and blue evokes a spiritual feeling. She has a quartz crystal deep inside her body generating a connection with the viewer.
Michelle Williams
Crack Eyes, 1995
Glass beads, Cotton, Crystal, Suede, Thread, Dacron, Wood [10.5" x 9.5" x 5"]
After many years spending time in Jamacia and watching crack come to the island I was saddened by this disruption to the culture. I felt compelled to respond through my art.