Susan Clark
Detail of Journey to the Red River: Early days on the ocean voyage to the new world 1821, 2024
Screen printed painted silk sewn on damask tablecloth with appliqué. 84" long x 34" high; with tree: 84" long x 50" high
Clark's narrative and figurative work highlights the hard labour of women in support of historical migration to the Red River region of Canada.
Susan Clark
Detail from Journey to the Red River: Sept. to Nov. Upstream to the Red River 1821, 2024
Screen printed silk on damask tablecloth with embroidery. 84" long x 34" high; with tree: 84" long x 50" high
Clark's narrative and figurative work highlights the hard labour of women in support of historical migration to the Red River region of Canada.
Susan Clark
Journey to the Red River 1821 side 2 Gallery view, 2024
Screen printed silk on damask tablecloth with embroidery, tree handcrafted from textiles, Hudson's Bay colours sewn on 1 side. Tablecloth is hung so viewers can walk around it. 84" long x 34" high; with tree: 84" long x 50" high
Clark's work explores the role of women in historical migration. She feels casting light on early settlers and their struggles might help with the reconciliation process happening in Canada between Indigenous First Nations and colonists.
Susan Clark
“Stuck in ice above Hudson’s Bay 1821” detail from Journey to the Red River, 2024
Screen printed silk on damask tablecloth with embroidery. Detail is 22" x 22" Full assemblage is 84" long x 34" high; with tree: 84" long x 50" high
During the 1821 migration from Switzerland to the Red River, migrants were stuck in ice for 18 days and they could visit between ships.
Susan Clark
Voyage to the Red River 1821, 2023
Screen printed hand painted silk sewn on damask tablecloth with appliqué. 68" x 68" x .5"
My use of a repurposed, once-treasured tablecloth, with its own material history, references the spectre of starvation and predators during the early years of remote western settlement and also pays homage to women's craft.
Susan Clark
Pandemic Souvenir, 2022
Screen print on recycled cotton 21" x 21"
Susan Clark
Folk Jacket, 2021
velvet, hand-painted silk lining, embroidery thread, beads Size: M
Inspired by European folk embroidered garments, I decided to make a hand embroidered jacket that paid homage to tradition. My hand-painted silk lining incorporates wolf willow and wild prairie roses. I thought often of my Grandmother, who supported her family as a seamstress in a northern SK sawmill town, while I stitched. Her family fled Seattle during the 1918 Spanish flu seeking safety in sparsely populated northern Saskatchewan.
Susan Clark
von Saskatoon Rug, 2019
recycled wool yardage, burlap, double wool felt backing 133 cm x 1 cm
Clark sees her time-consuming, meditative, intricate work as part devotional to the women who came before her.
Susan Clark
Northwest Canada Chair, 2017
Hand painted found wooden chair frame, embroidery, painting & embellishments, LED lights, sound, motion sensor 105 cm high, 52 cm wide, 50 cm deep
Copy & paste this URL into a new window to see this chair in action: https://youtu.be/_x7ZuwTbK9w In 2017, I returned to western Canada with its wide-open landscapes. Hours on the road are necessary to get anywhere. At one time, there were passenger trains and publically supported long distance buses, but now everyone drives them selves, and hauls their grain, etc. Young fellows who have done well in the oil patch buy themselves large impressive trucks. Other features of this resource-based economy such as oil derricks and diamonds figure in the embroidery. This noisy, bright chair is my kinetic reaction to all of this!
Susan Clark
Le berceau de l’innovation Quilt, 2014
Painted, embellished silk quilt, embroidery, pearls 129 cm high, 75 cm wide x 2 cm
Little did I know that moving to Basel in 1997 was completing the circle in terms of my art. I had been a silk painter for over twenty years using synthetic dyes developed in the late 1860s, and manufactured and used in the textile industries of the Basel, and Mulhouse area across the border in France.
