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OFF
THE GRID
Pre-Conference
Workshops
May 23 - May 27
In addition
to the conference events, pre-conference and post-conference workshops
will provide the opportunity to delve into a specific topic for
a rich, hands-on experience. Workshop tuition and studio fees are
listed with each description.
| Registration
Information
and
Registration Form
Click
here |
Biographies
for instructors and presenters
Click
here |
Pre-conference
Two-Day Workshop
Tues. May 26–Wed. May 27
Artist
Survival Skills
Nisha Drinkard
Making
art, but struggling to get into the shows you want? This workshop
is for you! Hone your professional skills and presentation tools,
including writing a resume and artist's statement, as well as
creating a professional portfolio and more. Students will develop
self-assessment, goal-setting, research, organizational, networking
and event-protocol skills through individual instruction and class
discussions. Handouts on resources for artists will be included
to help you get your career to the next level!
Level: Beginning to Intermediate Students
Workshop Tuition: $210
Supply Fee: $15
Code: 2a1
Pre-conference
Three-Day Workshops
Mon. May 25–Wed. May 27
Following
A Line To Tell A Story
Alice Kettle
We shall
start with simple drawing, putting together lines, enjoying the
qualities and dynamics of mark-making and using a variety of materials.
These drawings will be built into collages by cutting and pasting
to form images that tell a story. Using primarily free-machine
embroidery, we shall explore the expressive potential of line,
seeing how to interpret the fluidity of a drawn line through stitch.
These explorations will develop into a narrative—a picture
telling a story in stitch.
Level: Beginner to Intermediate Students
Workshop Tuition: $315
Supply Fee: $30
Code: 3a2
Designing
For Bead Embroidery
Amy Clarke Moore
Tap your
creative energy and create beautiful designs for bead embroidery.
In this workshop participants will learn four basic bead embroidery
stitches and have in-depth discussions about creating beautiful
designs for bead embroidery. Learn how Amy Clarke Moore uses the
pragmatic tools of color, line, texture, shape and pattern to
create her magical images, and how to apply these tools to your
own work.
Level: All Level Students
Workshop Tuition: $315
Supply Fee: $25
Code: 3a3

Hannah
and the
Sunflower Cafe
Bead Embroidery
Amy Clarke
Moore
Pre-conference
Four-Day Workshops
Sun. May 24–Wed. May 27
The
Woven Image
David Brackett
Learn
to translate your hand-drawn images into a woven surface. There
are many ways for the weaver to manipulate the interlacement of
warp and weft to produce images rather than just pattern. Looms
will be dressed in a way that will allow for the exploration of
three techniques: weft brocade, supplemental warp and pick-up
double weave. Specific exercises will be provided, and there will
be plenty of opportunity for individual interpretation. Examples
from historic and contemporary weavers will be shown.
Level: Intermediate, should be able to dress a loom
Workshop Tuition: $420
Supply Fee: $40
Code: 4a4
Katagami
With Color Rice Paste
Akemi Cohn
"Katagami" means cutout, the traditional Japanese process
of working with paper stencils. In this workshop, Katagami will
be used to print with colored rice pastes. Colored rice paste
resist technique (NASSEN) is a contemporary application of rice
paste for simultaneous color and resist. Students will experience
the entire process by printing on silk fabric, which includes
making rice paste and colored pastes, designing and cutting Katagami,
and printing through Katagami with colored rice pastes.
Level: All Level Students
Workshop Tuition: $420
Supply Fee: $57
Code: 4a5
Soy
Wax Three Ways
Jane Dunnewold
Explore
three unique approaches to environmentally friendly and totally
addictive soy wax. Cut stamps and then apply hot wax as part of
a layering process. Fold, pleat and manipulate fabric, and then
dip it into hot wax before dyeing or discharging. The more times
the steps are repeated, the more intriguing the fabrics become.
Complete the trio of tools by learning to make wax dye crayons.
This rich combination of wax processes expands even the most sophisticated
surface design toolbox.
Level: All Level Students
Workshop Tuition: $420
Supply Fee: $56
Code: 4a6
Working
In A Series
Kerr Grabowski
Investigating
images in a series is freeing. It allows for experimentation,
discovery and innovation by moving from realism to abstraction
and paring down images to reveal their bones. In this workshop,
students will use a diverse group of mark-making techniques, interpreting
one image many times and playing with the contrast of marks—from
the softness of charcoal to the organic quality of deconstructed
printing. Leave wide-eyed and inspired. Media/materials include
charcoal, deconstructed and “normal” screen printing,
mono printing, stitching, fusing, collage, burning and more.
Level: Beginning To Intermediate Students
Workshop Tuition: $420
Supply Fee: $45
Code: 4a7

Katrina
I (detail)
Kerr Grabowski
Artful
Knitting: A Sculptural Knitting Workshop
Adrienne Sloane
This class
in 3D knitting will help students develop a personal language
of forms by exploring and using knitting fundamentals to create
shapes, while taking advantage of knit’s natural tendencies.
By manipulating stitches and experimenting with unconventional
materials, students will problem solve while creating a variety
of organic forms. We will talk about different ways to create
shape and stability and concepts such as short rowing will be
introduced. A slide show of knit artists will be shown for inspiration.
Level: Intermediate To Advanced Students
Workshop Tuition: $420
Supply Fee: $31
Code: 4a8
Encaustic
For Fiber Artists
Daniella Woolf
The ancient
technique of encaustic is an exciting tool that can be used to
expand your visual vocabulary. Daniella will demonstrate how easily
you can transfer images onto a variety of surfaces, including
wood, paper and fabric, as well as gold and silver leafing. Learn
how to collage and embed items with encaustic, using a variety
of materials, including fabric, thread and other linear elements.
This translucent material creates amazing layers and surfaces
beyond your wildest dreams.
Level: All Students
Workshop Tuition: $420
Supply Fee: $110
Code: 4a9
Pre-conference
Five-Day Workshops
Sat.
May 23–Wed. May 27
Textures
And Protuberances:
Felted And Machine Stitched Surface Dimension
Lisa Klakulak
Build
a third dimension from a felted ground fabric by sampling an innovative
variety of wet felting, needle felting and machine stitching techniques.
From subtle textural fields to bold protuberances, achieve dimension
by fusing preconstructed fabrics, embedding solid felt forms,
needle/ wet felting complex felt forms to the surface and using
plastic resists to create flaps, pockets and ridges. Additionally,
free-motion machine embroidery will be used to “crater”
thick felt and to manipulate thin felt into undulating fabric.
Level: Intermediate, or for those with familiarity handling fleece
top
Workshop Tuition: $525
Supply Fee: $50
Code: 5a10

Sumo-Sized
Papermaking
Julie McLaughlin
Sumo-Sized
Papermaking
Julie McLaughlin
Experience
the age-old craft of papermaking in a nontraditional way during
this five-day “hands-on, feet-in” workshop creating
large 5’x 8’ sheets of handmade paper. Finished sheets
can be transformed in a variety of ways by dyeing, printing…even
spinning thin strips into yarn. Students will experience the full
process, from preparing the fiber (cooking and beating) to pulling
sheets. Come prepared to get wet as you may be chosen to disperse
the pulp in the vat.
Level: All Level Students
Workshop Tuition: $525
Supply Fee: $30
Code: 5a11
Simple
Bookbinding,
Japanese,
Matchbook And Coptic Styles
Barbara Setsu Pickett
Create
your own blank books. The quick matchbook needs a staple and in
minutes you have a miniature book. Sew four Japanese-style books,
each with a different decorative binding. Stitch the Coptic binding
with its multiple signatures. Learn to back your dyed fabrics
with Hosho paper to transform them into book covers and to identify
the grain of paper and make your own archival paste. Explore using
silk organza instead of paper for the text body of your book.
Level:
All Level Students
Workshop Tuition: $525
Supply Fee: $25
Code: 5a12

Barbara
Setsu Pickett
Creating
Textile Design In Photoshop
Hitoshi Ujiie And Heather Ujiie
This workshop
is an introduction to the computer-aided textile design process,
using Adobe Photoshop software, from concept to preparing for
print. Participants will learn from an industry pioneer to design
and develop printed patterns, and to understand the fundamentals
of digital file preparation, file formatting, creating repeats
and coloring, as well as the basics of digital inkjet printing.
Demonstrations, discussions and hands-on projects with technical
assistance will enable participants to explore their technological
and creative concerns to the fullest.
Level: Beginning To Intermediate Students
Workshop Tuition: $525
Supply Fee: $55
Code: 5a13
For
More Information:
Conference
Registration starts Jan. 5, 2009. For Registration Information
and Registration Form Click
here
You do not have to attend the conference to attend a workshop, however
you will have an additional $50 "workshop only" fee.
You do not need to be a member of SDA to take a workshop.
Questions:
For
all conference related questions, contact:
Kathy Dowell
2009 Conference Coordinator
Surface Design Association
816-471-2115
E-mail:
Click here
For all registration questions, contact:
Gerrie Condgon
2812 SE Moreland Lane
Portland, OR 97202
503-788-3322
E-mail:
Click here
For all SDA membership related questions,
contact:
Joy Stocksdale
Surface Design Association
PO Box 360
Sebastopol CA 95473-0306
707-829-3110
E-mail:
Click here
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