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Heather
Allen-Swarttouw
Asheville, N
Heather Allen-Swarttouw is a studio artist, writer and educator
living in Asheville. She received her MFA in textiles from the University
of Massachusetts. She has exhibited and taught throughout the United
States, Canada, Japan, Nepal, Thailand and Singapore, and has published
numerous articles on textile artists, creativity and journaling,
including “Journaling and My Creative Process” in the
Surface Design Journal. Creating a personal reference library of
creative journals has given her insights and propelled her in her
current creative explorations.
Janice
Arnold
Centralia, WA
www.jafelt.com/jaHome.html
Janice Arnold has owned her own business for 28 years, with a lifelong
passion for textiles and the art of craft. As the daughter of a
cartographer, she grew up looking at the ‘big picture’
and minute detail simultaneously. For the past 10 years she has
been primarily working in handmade felt. She has collaborated with
designers and artists in a wide variety of disciplines. Notable
clients include Cirque du Soleil, LA Opera, Nordstrom Corporation,
NBBJ and Saks Fifth Avenue.
Susan
Taber Avila
Oakland, CA
www.suta.com
Susan Taber Avila exhibits her stitched constructions nationally
and internationally. Her artwork has been published in American
Craft, Artweek, Art Business News, Fiberarts and the Surface Design
Journal and was included in Fiberarts Design Book Six and Fiberarts
Design Book Seven. She is an associate professor of design (Fashion
and Textiles) at the University of California, Davis and is also
co-creator of FiberScene.com, a website for promoting fine art with
a textile sensibility.
Mary
Babcock
Kailua, HI
Mary Babcock is an assistant professor of art and fiber chair at
the University of Hawaii at Manoa. She holds an MFA in Studio Art
(specialization in Fiber, Installation and Performance Art/University
of Arizona), as well as a Ph.D. in Psychology (University of Pennsylvania),
with specific interests in cross-disciplinary collaboration and
community-involved arts. Mary has introduced Performance/Installation
to the UH Fiber curriculum and has performed across the United States,
as well as throughout Japan.
Jerry
Bleem
Cicero, IL
www.packergallery.com
Jerry Bleem, an artist, teacher, writer, Franciscan friar and Catholic
priest, earned his MFA at the School of the Art Institute of Chicago
and his M.Div. from the Catholic Theological Union at Chicago. Interested
in the cultural construction of meaning, he examines and transforms
the nonprecious through time-intensive accumulation. His awards
include five artist fellowships from the Illinois Arts Council,
an Arts Midwest/NEA Regional Visual Arts fellowship and numerous
artist residencies. The Packer Schopf Gallery in Chicago represents
his work.
David
Brackett
Lawrence, KS
David Brackett is an assistant professor of textiles at the University
of Kansas. His work explores the effects of chance on the formation
of pattern, both in nature and in society. He received a Bachelor
of Science in Zoology from the University of Michigan and an MFA
in Textiles from the University of Kansas. His work has been exhibited
nationally and internationally, and he has taught numerous workshops
in weaving, dyeing and screen-printing.
Jeffrey
Bruce
Quincy, IL
Jeffrey Bruce has 24 years of experience as a fine art photographer,
specializing in photographing three-dimensional art. His work is
seen internationally in books and periodicals, as well as on posters
and websites. He has photographed work for artists, galleries, museums
and collectors throughout North America.
Baile (detail)
Work by Carolyn Kallenborn
Photo by
Jeffrey Bruce
Maria
Elena Buszek
Kansas City, MO
www.mariabuszek.com
Maria Elena Buszek is a critic, curator and professor of modern
and contemporary art at the Kansas City Art Institute. She is the
author of the book Pin-Up Grrrls: Feminism, Sexuality, Popular Culture
and contributor to numerous international books and exhibition catalogs.
Her writing has appeared in such journals as Art in America, Photography
Quarterly, TDR: The Journal of Performance Studies and The Journal
of Modern Craft. Dr. Buszek's latest book is the anthology Extra/ordinary:
Craft culture and contemporary art, forthcoming from Duke University
Press.
Jean
Cacicedo
Berkeley, CA
www.jeancacicedo.com
Jean Williams Cacicedo received a BFA from the Pratt Institute,
NY in 1970. She was a prime innovator in the Wearable Art Movement
of the 1970s. For three decades she has worked both on and off the
body. Jean is known for her pieced, dyed, slashed and felted wool
coats into which she incorporates fabrics she has manipulated with
the various processes she has developed. Her sewn constructions
have been exhibited nationwide and throughout the world.
Akemi
Cohn
Chicago, IL
www.akemistudio.com
Akemi Cohn studied traditional Japanese dyeing techniques for 10
years under the master Haru Izumi. She earned her MFA in Fiberarts
from Cranbrook and her BFA from Tama Art University, Tokyo, Japan.
Cohn has taught at the School of the Art Institute of Chicago, as
well as workshops at Haystack, Penland and Arrowmont. Her national
and international exhibits include the Museum of the Art Institute
of Chicago, University of Nebraska and Zijdelings (Netherlands),
and she has been an artist-in-residence at Anderson Ranch and Ragdale
Foundation.
Nisha
Drinkard
Bogota, NJ
www.nisha.net
Nisha Drinkard earned her MFA from Arizona State University. As
an assistant professor she has taught at William Paterson University
for seven years and also taught at Newark Museum and Peters Valley.
Nisha has taught, lectured and exhibited throughout the United States,
including exhibitions at the University of Texas at Tyler and the
Museum of Art in Arizona.
Jane
Dunnewold
San Antonio, TX
www.complexcloth.com
Jane Dunnewold is the author of Complex Cloth (1996) and Improvisational
Screen Printing (2003) and co-author of Finding Your Own Visual
Language (2007). She teaches and exhibits widely and was awarded
the Quilt Japan Prize in the 2002 Visions exhibition and the Gold
Prize at the Taegue International Textile Exhibition. Dunnewold
maintains Art Cloth Studios in San Antonio, Texas.
Pamela
Feldman
Chicago, IL
www.pamelafeldman.com
Pamela Feldman received her MFA from the School of the Art Institute
of Chicago and her BFA from the University of California, Davis.
She has earned the Certificate of Excellence in Dyeing and Master’s
in Dyeing from the HGA. She is editor and publisher of the Turkey
Red Journal, an online natural dye newsletter, and teaches weaving
and dyeing at the Art Institute of Chicago’s Continuing Studies
Department and the Lillstreet Art Center. Her work has been widely
exhibited throughout the United States.
Bean
Gilsdorf
Portland, OR
www.beangilsdorf.com
Bean Gilsdorf is an artist, writer and teacher. Her commentary and
exhibition reviews have appeared in Fiberarts magazine. Her quilts
and installations have been exhibited in numerous venues, such as
Quilt National, Visions, Le Arti Tessili, and in galleries and museums
across the United States. She teaches English at Portland Community
College in Portland, Oregon.
Kerr
Grabowski
Sussex, NJ
www.kerrgrabowski.com
Kerr Grabowski is a fiber artist and teacher known for her innovative
approaches to dyeing and screen printing. Kerr’s love of color
and spontaneity is evident in her elegantly whimsical art wear.
A NJ Arts Fellowship recipient, Kerr is the developer of Deconstructed
Screen Printing. She produced the DVD Deconstructed Screen Printing
and has been published in Ornament, Fiberarts, the Surface Design
Journal, Fiberarts Design Book Six and Silk Painting for Fashion
and Fine Art. Kerr exhibits and teaches internationally.
Lisa
Grey
Portsmouth, NH
Lisa Grey has been a full-time fiber artist for over 28 years. She
has worked extensively with a wide variety of dyeing techniques
and various fiber media, including printmaking, quilting, weaving,
basketry and creative sewing. Her individual and collaborative artwork,
currently focusing on experimental marbling techniques, has been
shown in galleries across the country and internationally. Her teaching
style encourages students to push the boundaries while exploring
the "what ifs."
Gunnel
Hag
Toronto, Canada
www.colourvie.com
Gunnel Hag studied textile design in Sweden and England. Her studio,
Trees Textile Designers and Printers, in Toronto, produces fabrics
for film and theater productions. She taught in the Textile Studio
at Sheridan College, Oakville, Ontario for 12 years and has been
a visiting lecturer at the National Institute of Design in Ahmedabad,
India. Her fabrics have been represented at international design
exhibitions and she has published two books: Creating Texture and
Creating Texture: Soft Textures.
Mary
Hark
Madison, WI
Mary Hark is a studio artist and assistant professor in design studies,
University of Wisconsin, Madison. Mary has exhibited nationally,
as well as in Iceland and Ghana. She received a 2006 Senior Fulbright
Research Scholarship to study in Ghana. She is the proprietor of
HARK! Handmade Paper Studio, which specializes in high-quality flax
and linen papers. Mary earned an MFA from The School of the Art
Institute of Chicago and an MA from the University of Iowa, Iowa
City.
Jessica
Hemmings
Winchester, England
Dr. Jessica Hemmings holds a BFA (Honors) in Textile Design from
the Rhode Island School of Design, an MA in Comparative Literature
(Distinction) from the University of London’s School of Oriental
and African Studies and wrote her Ph.D. at the University of Edinburgh.
Jessica has taught at RISD and Central Saint Martins College of
Art and Design and is currently a Reader in Textile Culture at the
Winchester School of Art. Her book Yvonne Vera: The Voice of Cloth
is published by Kalliope Paperbacks in 2008.
Jorie
Johnson
Kyoto, Japan
www.joirae.com
Jorie Johnson was born into a wool merchant’s household and
has ventured off-track since first being instructed in Scandinavian
felt boot making in Finland in 1977. She has traveled the world
looking for more information about this ancient textile ever since.
She studied Textile Design in Finland and at RISD, and held an internship
with Marimekko. The author of two books, she teaches at Kyoto University
of Art & Design in Japan and has taught workshops all over the
world.
Carolyn
Kallenborn
Madison, WI
www.carolynkallenborn.com
Carolyn Kallenborn is an assistant professor at the University of
Wisconsin-Madison in the Design Studies Department. She was an assistant
professor in the Fiber Department at the Kansas City Art Institute
from 2001–2007. Carolyn currently serves as conference chair
of SDA’s Off The Grid and was conference coordinator of SDA’s
2007 and 2005 conferences. She has been on the receiving end of
thousands of digital images that go on the web, to publications
and to digital presentations.
Alice
Kettle
UK
www.alicekettle.com
Alice Kettle is a contemporary textile/fiber artist based in the
United Kingdom. She has established a unique area of practice, consistently
and on an unparalleled scale. Alice has extended the possibilities
of machine embroidery by producing works the size of tapestries
and exploiting the textures and effects made possible through the
harnessing of a mechanical process to creative ends. She is research
associate at Manchester Metropolitan University and honorary fellow
at the University of Winchester. Her work is represented in various
public collections.

Odyssey
Alice Kettle
Lisa
Klakulak
Asheville, NC
www.strongfelt.com
Lisa Klakulak is a studio artist who operates her business, STRONGFELT,
out of Asheville, NC. She has a BFA in Fiber from Colorado State
University and has recently dedicated a three-year residency at
the Appalachian Center for Craft in Tennessee to an exploration
of felting techniques. She exhibits nationally, and her work has
appeared in the Surface Design Journal, Fiberarts and Shuttle Spindle
& Dye-Pot. She has been sought for instruction at Penland, Arrowmont,
Oregon School of Arts and Crafts, Shakerag Workshops and Coupeville
Arts Center.
Gerhardt
Knodel
Bloomfield Hills, MI
Gerhardt Knodel is currently engaged in full-time studio practice
following his long involvement with Cranbrook Academy of Art as
resident artist and head of the fiber studio from 1970–1995
and as director of the academy from 1996–2007. His studio
work has consistently explored possibilities for textiles to engage
the viewer in diverse contexts, including art, design, architecture
and theater, and he is a strong advocate for adventurous expansion
of the fiber medium and its extraordinary legacy.
Tracy
Krumm
Raleigh, NC
www.tracykrumm.com
Tracy Krumm is an educator, sculptor and researcher of the possible
relationships between metals, textile processes and material studies.
Her work has been exhibited internationally in over 100 venues during
the past 20 years and has been featured in numerous publications,
including the Surface Design Journal, Textil Forum, Sculpture Magazine
and Metalsmith. Her work resides in many private, corporate and
museum collections, including the Denver Art Museum, the Museum
of Fine Art in Santa Fe, Bloomingdale's and Ford Motor Company.
Patricia
Malarcher
Englewood, NJ
Patricia Malarcher, editor of the Surface Design Journal and SDA
Newsletter, has contributed to books: Helena Hernmarck: Tapestry
Artist, Objects and Meaning, and Michael James: Art & Inspiration,
and written for exhibition catalogs including Generations/Transformations
(American Textile History Museum), Cultures Revealed: Appliques
from Around the World (Visual Arts Center, NCSU/Raleigh), and Priscilla
Sage: 1958-2008 (Iowa State University Museum). She received a Renwick
Fellowship for research in craft criticism and is a studio artist
whose pieced constructions have been shown internationally.
Ray
Materson
Wynantskill, NY
www.raymaterson.com
Ray Materson was raised in the American Midwest. His family life,
though rich in some ways, was troubled due to his father’s
alcoholism. The legacy of this hidden family illness ultimately
played out in Ray’s life. He experimented with alcohol and
drugs as a youth and finally became an addict. His addiction led
to a short string of robberies committed with a shoplifted toy gun.
Sent to prison, Ray reconnected with God, discovered an artistic
talent and literally sewed his life back together.
Julie
Mclaughlin
Dysart, IA
Julie McLaughlin worked as a costume designer before taking a more
personal creative journey exploring handmade papers in a sculptural
way. Her work has appeared nationally and internationally in many
exhibits including Fashion Statement, the Fine Art of Faux Apparel,
Wheaton College, Norton MA; Paper Adornment, Chicago Center for
Book & Paper Arts, Chicago, IL; and Paper Runway, a group show
of wearable paper garments in Santiago, Chili and Atlanta, GA. She
works out of McJulie Studios in Dysart, IA.

Waisting
Away
Julie Mclaughlin
Amy
Clarke Moore
Lakewood, CO
www.amyclarkemoore.com
Amy Clarke Moore earned her MFA in Fibers from Colorado State University
in 1990. She started beading in 1998 to complete a staff project
for Beadwork magazine. Her work is born out of a passionate interest
in fairytale, myths and art. She enjoys the process of stitching
the beads onto canvas. She regards each bead as a thought and the
spiral path of her beadwork like the passage of time. Currently
Clarke-Moore is the editor of Spin Off magazine, Interweave Press.
Barbara
Setsu Pickett
Eugene, OR
Barbara Setsu Pickett is an associate professor in the Department
of Art, University of Oregon. Her art and research focus on velvet
weaving, Jacquard design and shibori. She researches velvet weaving
in Italy, France, Britain, Japan, China, Turkey and now Uzbekistan.
Pickett and her son Michael run Mihara Shibori Studio and create
silk shibori scarves. She has received awards from NEA Individual
Artist, Fulbright Research, Institute of Turkish Studies, Gladys
Krieble Delmas Foundation, Rockefeller Foundation, Bellagio and
Asian Art Museum in San Francisco.

Recover
Book: 9 Charms
Babara Setsu Pickett
Jason
Pollen
Kansas City, MO
Jason Pollen is an internationally recognized artist and teacher
known for his fiber art and use of innovative techniques. He exhibits
in major fine art galleries in Europe, Asia and the United States.
A native New Yorker, Jason has lived and worked in Paris, London,
Zurich, India and Tibet, and has taught at the Royal College of
Art in London, the Pratt Institute in New York, and the Parsons
School of Design in New York. He is currently the chair of the Kansas
City Art Institute Fiber Department and president of the Surface
Design Association.
Rebecca
Ringquist
Chicago, IL
www.rebeccaringquist.com
Rebecca Ringquist is a Chicago-based visual artist. Her drawings
on paper and stitched drawings on fabric explore issues of identity
through thinly veiled metaphors utilizing old-fashioned imagery
and double entendres. Her work has been exhibited nationally. Ringquist
earned her MFA from the School of the Art Institute of Chicago in
the Fiber and Material Studies Department, where she is now an instructor.
She is also the director of textile arts at Lillstreet Art Center
in Chicago.
Victoria
Z. Rivers
Sacramento, CA
Victoria Z. Rivers is a professor in the Design Program at the University
of California, Davis. She has been the recipient of an NEA Visual
Artist's Fellowship, an Indo-American Fellowship and an American
Artists Abroad through the U.S. Department of State in Ghana. She
publishes, lectures, teaches and exhibits internationally in East
Malaysia, Japan, South Korea, China, India, Thailand, Canada, Australia,
New Zealand, The Cook Islands, England and Ireland. She was a featured
speaker at the 2008 Handweavers' Guild of America Convergence.
Adrienne
Sloane
Watertown, MA
www.adriennesloane.com
Adrienne Sloane, a Boston-based artist, has exhibited nationally
for over 20 years. Her work has been published in Fiberarts Magazine,
American Craft, the Surface Design Journal, the Crafts Report and
Fiberarts Design Book Six. With a degree in anthropology, she has
married her passion for textiles with one for travel by consulting
on knitting projects in Peru and Bolivia. Knitting both by hand
and by machine, she is mindful of the historical context of her
medium.
Harmony
Susalla
Gualala, CA
www.harmonyart.com
Harmony Susalla's designs have been sold at every retail level from
Wal-Mart and Target to Williams-Sonoma and Nordstrom. In 2005, she
walked away from her successful career to create her own line of
printed, organic cotton fabrics. Harmony's personal mission is to
infuse her fabrics with color and design created with environmentally
thoughtful inks and dyes. Her designs are inspired by nature and
her business is motivated to protect it. She now sells organic fabrics
to over 120 businesses around the world.
Heather
Ujiie
Langhorne, PA
Heather Ujiie has a BS in Visual Arts from SUNY, an Associates Degree
in Textile Design from Fashion Institute of Technology and an A.A.
in Art Education from Brooklyn College. A native New Yorker, she
has designed for Waverly, Polo Ralph Lauren, Schumacher and Dan
River, to name a few. Currently she creates digitally printed art
installation pieces and commercial textiles, and teaches at both
Moore College of Art & Design and Philadelphia University.
Hitoshi
Ujiie
Langhorne, PA
www.hitoshiujiie.com
Hitoshi Ujiie, MFA, University of Georgia, and BFA, Kyoto Seika
University, is a pioneer in the field of digital inkjet printing
for textiles. His professional experience includes designing fine
fabrics at internationally renowned Jack Lenor Larsen Design Studio.
In 1991 he established Hitoshi Ujiie Design, a studio that specializes
in the design of a wide range of new fabric products. He is an associate
professor at Philadelphia University, where he established The Center
for Excellence of Digital Inkjet Printing for Textiles.

Branch
Hitoshi Ujiie
Els
Van Baarle
Dreischor, Netherlands
www.elsvanbaarle.com
Els Van Baarle is a free-lance teacher and textile artist. Her work
has been featured in many exhibits including the 2006 ZEIT-STÚCKexhibition,
which traveled in Germany, Austria, France and Switzerland; the
2006 Explorations II at Ohio Craft Museum, Columbus, Ohio; the 2nd
Flag Triennial and Mini Art Triennial, both in Szombathely, Hungary;
and in Piece Hall Gallery, Halifax. Her works have been published
in many books, magazines and catalogues, including the 2008 summer
issue of the Surface Design Journal.

Brieven
van een Vriend I; Letters from a friend I
Els Van Baarle
Jan
Ru Wan
Greenville, NC
Jan Ru Wan is a textile artist and educator. Through her mixed media,
sculptural forms and site-specific formats, she evokes the “human
experience” of the body and represents the physical and spiritual
blending of Eastern and Western cultures. Her frequent solo shows
and workshops help nonartists understand her highly conceptual work.
In 2006, she was recognized by the Graduate of the Last Decade (GOLD)
award by the University of Wisconsin, Milwaukee for her achievements.
Kathyanne
White
Prescott, AZ
www.kathyannewhite.com
Kathyanne White is a contemporary artist whose work is fiber based,
innovative, complex and unique. White’s work is housed in
public and private collections including: the Museum of Arts and
Design; the American Folk Art Museum; and the Archives of American
Art, Smithsonian Institution. Her publications include: Fiberarts,
American Style, Fiberarts Design Book Seven and Quilting Arts. She
was awarded first place at the Yosemite Renaissance XXII exhibit
in 2007.
Daniella
Woolf
Santa Cruz, CA
www.daniellawoolf.com
Daniella Woolf holds an MA in Textile Structures from UCLA. She
went Off the Grid in 2001 when she discovered encaustic and now
teaches workshops in encaustic for fiber artists. Woolf was a 2007
recipient of the Gail Rich Award for excellence in the arts in Santa
Cruz and the 2008 Rydell Visual Arts Fellowship. Her current work
is about identity, privacy and security, and is exhibited nationally
and internationally. She blogs at Encausticopolis under the name
Dotty Stripes.
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Surface Design Association
816-471-2115
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Surface Design Association
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